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Recently, renowned journalist and writer Barış Terkoğlu provided a profound characterization of Nihat Genç, the esteemed journalist and author who is currently hospitalized in intensive care. Terkoğlu’s reflection offers a comprehensive view of Genç’s distinctive literary style, worldview, and personality that have left an indelible mark on many.
According to Terkoğlu, Nihat Genç’s writing is characterized by a unique, visceral tone that commands the reader’s attention — capable of provoking shock, introspection, and a renewed sense of reality. He reminisces about their youth during the era of Leman magazine, where Genç’s compelling prose was a staple and a catalyst for thought among young readers. His works often intertwined political commentary with the rich cultural wisdom rooted in Anatolia, reflecting a deep connection to the traditional and spiritual ethos of the region. Known for his high storytelling ability, Genç’s metaphors and expressions—sometimes seemingly coarse—became iconic elements of his literary style, blending the rawness of folk speech with literary finesse.
Terkoğlu highlights that Nihat Genç initially engaged with the Grey Wolves (Ülkü Ocakları), the nationalist youth organization, but eventually distanced himself from its more militant aspects. Despite this, he unwaveringly maintained a nationalist, republican, and anti-imperialist outlook throughout his life. His stance became especially prominent during the Ergenekon and Balyoz trials, where his unwavering support for national sovereignty and justice drew significant attention.
Remarkably, Genç’s career began with a single email he sent to a publisher, after which he continued to write prolifically without seeking royalties or material gain. His commitment to ideas over money was evident; he preferred to remain outside the materialistic world, existing solely through the power of his thoughts and words.
Terkoğlu emphasizes Genç’s innate ability to connect directly with ordinary people. He would often frequent tea houses and cafés, where his presence would instantly draw crowds. He avoided modern technology like mobile phones for a long time, preferring face-to-face interactions. His writings were often delivered in these social settings, with many articles published with minimal editing to preserve their authentic voice.
He was a natural storyteller, capable of transforming any gathering into a lively rally through his narratives. When walking through streets or sitting among friends, people would naturally gather around him, eager to listen. Terkoğlu concludes with hope for Genç’s recovery, wishing that he continues to share his compelling stories and insights with the world.
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